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Saverio Costanzo's film seen with our eyes

THE SOLITUDE OF PRIME NUMBERS

review for Dario Coppola

In mathematics, while a larger number of 1 having more than two partitions are said compound, a natural number greater than 1 that is divisible only by 1 and itself is called a prime number.

then twin primes are defined as two prime numbers that differ between them two. Except for the pair (2, 3), this is the smallest difference possible between the first two (examples of pairs of twin primes: 5 and 7, 11 and 13, and 821 and 823).
By its very nature is a prime number only, but may have a twin. As it is for the protagonist of the novel by Paul Jordan, and the film by Saverio Costanzo, Matt. There was talk not too good in the film, and much better than the novel. Although it is not acceptable to me what was said in trailer of the film that the book has all the passionate new generation, I think a good novel and, in my opinion, the film is very nice, also scripted by the same Jordan along with Costanzo. I liked him already Private (2004) and In Memory of Myself (2007).

We find in a film sound, reminiscent of gothic atmospheres such as those in Goblin Deep Red Dario Argento, and a city, Turin, already chosen for his own film Silver by itself wrapped Costanzo, un'autunnale rain charm unreal and disturbing, until the clouds thin out oblivion.

Beyond the symbolism of mathematics, that stands in the novel and a little 'less in the film, I was attracted by the air enigmatic script, and hit by two factors: the blank stare, which is evident particularly in the expression of two actors who represent Mattia teenager and adult, games field, produced by the camera so as to blur the background in some key moments . Matt is disturbing, frightening even his own mother. In the darkness of my mind have surfaced the image of Freud's uncanny, which emerges from stories such The Sandman (Der Sandmann) of ETA Hoffmann in 1815, and the memory of Gradiva by Wilhelm Jensen, book which is a bas-relief depicting a woman petrified by lava of Pompeii, which awakens the memory of the archaeologist, the male character in this tale of 1903, she remained petrified in his unconscious. Alice, the female protagonist of the film is ambiguous or ambivalent: it is the 'alter ego Matthias. E ', however, especially the' alter ego of Michael's twin Matthew.

Alice is represented pale and problematic, even one as a prime number.

In

shake the three age groups (infancy, adolescence, maturity) at a certain point - climax - the film reaches the solver of the riddle scene where the two elements come together to talk about:

playing field, with the focus, it's telling Alice - as part of the family - the sister of Matthew, or Michael, who also has a glazed look: his eyes are big, too big. Are the same as Matthew, after the tragedy, the beginning of his adolescence, when you see it enter the classroom until the end of the film. The actors playing the twins were not marked by small by the tragedy. As part of the family are impressed those eyes, which reveal the true story of Matthew and the presence of the woman who has been petrified in him and discovers that Alice. Alice is a symbol of both Michel, Matthias, both of himself, separated from her sister after the death. So Alice is a photograph of Michael and Matthias themselves not by chance does the photographer.

Alice, therefore, is playing both androgynous and Michael Matthias, as will be seen in hallucination the grocery store, the troubled relationship with Viola, who is also a prelude to a homosexual love, will be superseded by the reality, once again photographed by Alice, in which a married Viola powerful man, rich but not beautiful.

objective correlative of the impending tragedy and evil are the tattoo, candy dirty Alice is forced to swallow, its being made crippled by an accident, the cuts on the body common to Matthew and Alice. The inescapable tragedy looms like a monster on the film narration:

the thirst of hungry eyes of the monster, played by the adult at the party he plays the friend of Matthew, is a time of tragedy itself, and from that moment, that does not flee Moreover, Matt tries to escape, to disappear but who disappears is Michael, who is hibernated or turned to stone in Matthew itself.

The monster was already at the beginning of the film, represented by Theseus killed the Minotaur in the school play of the class of Matthew, who has a premonition of the tragedy.

Mattia, covering the seasons of life in the labyrinth of age made up of memories and trauma that follow one another like the catwalk in light of the school and, especially, as in the dark tunnel and wet with rain that he must cross, have the courage to kill the monster that brings with it.

Alice, as in the myth of Ariadne, also will help him through the dark forest, dense foliage that time, by giving his thread that will allow them to find solutions to the problem of isolation imposed on him by the tragedy.

In the film, the protagonists after seven years will gather in Turin, where Alice has been in the lurch - or rather, in Naxos, to use the myth of Theseus.

One last riddle: I could not understand the link between Bette Davis Eyes by Kim Carnes and the film. Instead, I now seems clear, crystal clear, just like the eyes same as Matt, or those glacial impressed and impressive Michela, nell'iperrealista represented as part of the family, mo 'of photography. Those eyes are so beautiful sung by the voice of Kim Carnes, whose text seems to describe precisely Michelle:

Her hair is blond

such as the Harlow

her lips a sweet surprise

his hands are never cold

she has the eyes of Bette Davis

she put on her music

you will not have to think twice

she is pure as snow in New York

she has eyes for Bette Davis

and her fool you

you will discomfort

will do its best to please you

she is early

and knows what it takes to make

a prostitute blush

she sighs as Greta Garbo

she has eyes for Bette Davis

she will let you to accompany her home

this whets your appetite

she will on you his throne

she has the eyes of Bette Davis

she will do a somersault on you

she will make you roll like a nut

until they come out sad

she has the eyes of Bette Davis

she will expose you, when your feet duped

with crumbs she throws you

she is fierce

and knows what it takes

to make a prostitute blush

all the boys think she's a spy

she has eyes for Bette Davis

and her fool you

will put you at ease

will do its best to please you

she is early

and knows what it takes

to make a prostitute blush

all the boys think she's a spy

she has eyes for Bette Davis.

This beautiful song of the eighties is a picture within a picture, a quote that still seems to answer: Bette Davis was a great actress famous for her eyes, that made it famous in the famous movie, thrilling, What Ever Happened to Baby Jane?

And what happened to Michael for Matt?

Dario Coppola

took part as extras in the film students of the Lyceum and Philip Alfieri, the nephew of Professor. Coppola, in the role of Theseus killing the Minotaur, at the beginning of the film.

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http://lcquintiliano.blogspot.com/2009/12/lalfieri-set-cinematografico . html